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To maintain ARRI's famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated.
These include highly integrated and environmentally sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount to ensure a super-stable flange focal distance, even when using large lenses.
Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage.
The ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body.
Light enough to be comfortably held at arm's length in a hand rig, its compact size and extremely quiet operation also make it ideal for tight shooting conditions.
The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions.
In addition, the ALEXA Mini's interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.
Equipped with a 4:3 sensor, automatic de-squeeze mode for anamorphic productions and frame rates of 0.75-200 fps, the ALEXA Mini records ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder that can record image streams from up to four ALEXA Minis simultaneously -- a compelling option for multi-camera setups such as 360° plate shots.
Images from the ALEXA Mini will perfectly match those from all other ALEXA cameras, making the final grade easier and quicker.
Integrated functionality is at the heart of the ALEXA Mini's efficient and self-contained design.
A built-in lens motor controller allows new active lens motors to be connected directly to the titanium PL mount, while ARRI Lens Data System (LDS) technology provides frame-accurate metadata that can save time and money both on-set and in post.
Wi-Fi connectivity means that iOS or Android devices can be used to remotely control camera functions such as the motorized internal ND filters, which permit rapid responses to changing light conditions without adding bulk to the camera configuration.
The body design is optimized for use with new-generation brushless gimbals, multicopters and other specialized rigs.
It is compact enough in the lens direction to allow the use of standard PL mount lenses even on lightweight and space-constrained rigs, such as gyro-stabilized aerial systems.
The camera's superb low-light
Included:
1x Camera body
1x USB stick
1x 2.4 GHz Antenna
1x Toolset
1x Quick Guide
1x CD with documentation
Dimensions |
|
Length: | 185 mm/7.3" |
Width: | 125 mm/4.9" |
Height: | 140 mm/5.5" |
| (camera body with PL lens mount) |
Weight | 2.3 kg/5 lbs (camera body with titanium PL lens mount) |
Sensor | 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array |
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Photo sites (with surround view) | 16:9 |
HD: | 2880x1620 (3168x1772) |
2K: | 2868x1612 (3154x1764) |
3.2K: | 3200x1800 (3424x1926) |
4K UHD: | 3200x1800 (3424x1926) |
| 4:3 |
2K: | 2867x2150 (3168x2160) |
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Shutter | Electronic shutter, 5.0° to 356.0° |
Exposure latitude | 14+ stops over the entire sensitivity range from EI 160 to EI 3200 |
| as measured with the ARRI Dynamic Range Test Chart (DRTC-1) |
Exposure index | EI 800 base sensitivity |
Filters | Built-in motorized ND filters 0.6, 1.2, 2.1 |
Lens mounts | Titanium PL mount with L-Bus connector and LDS |
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Recording media | CFast 2.0 memory cards |
|
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Recording formats | HD 1920x1080 |
| 2K Cine 16:9 2048x1152 |
| 2K Cine 4:3 2048x1536 * |
| 3.2K 3200x1800 |
| 4K UHD 3840x2160 |
| ARRIRAW 2.8K 16:9 2880x1620 * |
| ARRIRAW 2.8K 4:3 2880x2160 * |
Recording codec | ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), ARRIRAW * |
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Color output | Rec 709, custom look or Log C |
Look control | Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) |
Adjustable image parameters | Knee, gamma, saturation, black gamma, saturation by hue |
Focus and exposure control | Peaking, zebra, false color |
White balance | Manual and auto white balance |
Sound level | -20 dB(A) at standard frame rates |
Environmental | -20° C to +50° C (-4° F to +122° F) @ 95% humidity max, non-condensing |
| Splash and dust-proof through sealed electronics |
Viewfinder | Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen |
| military-grade connector to camera |
Control interface | Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface * |
ARRI lens motor control | Built-in radio interface for ARRI lens control |
| L-Bus motor output for daisy-chainable cforce lens control motors |
Wi-Fi remote control | Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops |
Custom control | Optional GPIO interface for integration with custom control interfaces |
Power input | Lemo 8-pin, 10.5-34 V DC |
Video outputs | 2x HD-SDI out 1.5G |
3G: | uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder * |
Inputs | SDI-Genlock (optional activation through ARRI Service),timecode (in and output) |